









National Acts often require more to preform; hence, higher pricing amoung other requests. Here are a few things to remember when booking your entertainer(s).
In theater (and musical performance), a rider is a set of requests or demands that a performer will set as criteria for performance.
The hospitality rider is a list of requests for the
comfort of the artist on the day of the show.
Sometimes this document is provided along with the
technical rider; other times, it is provided much
closer to the performance date. Some common requests
are:
•Specific foods
•Particular beverages (sometimes
alcoholic)
•Towels
•Transportation and hotels
•A runner (person or persons hired to act as
personal shopper for band and crew needs and as
personal driver for band and crew needs.)
•A number of 'comp. tickets' or guest lists
(free tickets for friends and family)
•Security and/or locking rooms.
•Ice
(Wikipedia reference)
A document which is sometimes separate is provided in advance for a show, defining the types of equipment to be used, the staff to be provided, and various business arrangements.
Typical requests are:
Sound:
•PA system, generally terms such as 'a
professional quality 3 or 4 way active system',
frequency response (e.g., 20 Hz-22 kHz) and power
(either in wattage or dB SPL) are also common.
•Sound desk - it is normal for engineers to
specify a list of preferred desks and also minimum
requirements (such as number of channels) from other
desks as a backup. Requests for recording equipment
or feeds for recording are sometimes included
here.
•Outboard - the number and quality of gates,
compressors and effects units required.
•Channel/input list - a list of the instruments
being used, including preferred microphones and
inserts. •Monitor requirements - often included
alongside the channel list, detailing the number of
wedges and mixes required, a section similar to the
front of house requirements detailing the need for
monitor desk, graphic EQs and other outboard. If a
monitor engineer is to be provided by the house it is
generally requested here.
•If large amounts of equipment are being toured
in (such as the PA system) then power requirements
are likely to be stated here.
Lighting
•Depending on the size of the production this
can vary between 'provide a front wash and x kW of
back lighting' to specific lighting plots of
equipment the venue should provide (along with house
lighting technicians) to power requirements and truss
weightings when the entire lighting system is
provided by the touring production.
Backline
•Some bands will not tour full backline due to
the expense of transport (generally if playing a few
in-house produced gigs in each country/area) and may
have the venue provide some to all of it. Larger
items like amps, cabs and drums are more likely to be
requested than guitars which many musicians treat
more personally.
•Risers - a riser is a raised area of stage, the
size and positioning of risers for musicians (such as
drum risers) are specified here.
Other:
•Crew - productions will specify the amount of
local crew the venue should provide as well as any
techs (Wikipedia reference).